With ‘Minerals’, composer Mathias Coppens redefines the traditional relationship between musicians and listeners. Artists on stage, consumers in the audience? In this age of co-creation, that atavism needs to be shaken up. Together with BRYGGEN – Bruges strings, we interrogate tomorrow’s music.
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Why Patterns? is a minimalist composition by American composer Morton Feldman and is the starting point for this production. In addition to myself, composers David Fennessy and Jean-Luc Fafchamps are each creating a new composition.
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With the recent discoveries of exoplanets as a central theme, Benjamin Glorieux created a new piece with the string orchestra Bryggen, Vincent Caers (electronics) and Klaas Verpoest (live video).
Read More »Exoplanets or the quest for life around another SunString theory in its many incarnations provides a theoretical framework to answer some of the deepest questions, often with surprising results. At the same time, it raises some disturbing new questions, making painfully clear how little we understand of our Universe.
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Signale zur Invasion (1992) is performed simultaneously with Octophonie (1991), both pieces are part of Dienstag from Stockhausen’s monumental Opera Cycle Licht. The trombonist plays and walks a parcours amongst the audience whilst the video-artist divides it into equal protanganists.
Read More »Octophonie & Signale zur Invasion | Karlheinz Stockhausen