With ‘Minerals’, composer Mathias Coppens redefines the traditional relationship between musicians and listeners. Artists on stage, consumers in the audience? In this age of co-creation, that atavism needs to be shaken up. Together with BRYGGEN – Bruges strings, we interrogate tomorrow’s music.
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Imagine the contemporary classical composition ‘Why Patterns?’ by Morton Feldman as a self-contained world, subject to specific laws and recurring patterns like other planets. It would have its own unique atmosphere, rotating on its axis and orbiting a star.
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With the recent discoveries of exoplanets as a central theme, Benjamin Glorieux created a new piece with the string orchestra Bryggen, Vincent Caers (electronics) and Klaas Verpoest (live video).
Read More »Exoplanets or the quest for life around another Sun
String theory in its many incarnations provides a theoretical framework to answer some of the deepest questions, often with surprising results. At the same time, it raises some disturbing new questions, making painfully clear how little we understand of our Universe.
Read More »The End of Space and Time
Signale zur Invasion (1992) is performed simultaneously with Octophonie (1991), both pieces are part of Dienstag from Stockhausen’s monumental Opera Cycle Licht. The trombonist plays and walks a parcours amongst the audience whilst the video-artist divides it into equal protanganists.
Read More »Octophonie & Signale zur Invasion | Karlheinz Stockhausen