With ‘Minerals’, composer Mathias Coppens redefines the traditional relationship between musicians and listeners. Artists on stage, consumers in the audience? In this age of co-creation, that atavism needs to be shaken up. Together with BRYGGEN – Bruges strings, we interrogate tomorrow’s music.
Read More »Minerals
In december 2022, cellist Benjamin Glorieux went on a week-long journey from Arnstadt to Lübeck. With his cello on his back, Glorieux followed the same route that Bach took 300 years ago, in order to hear his great hero Buxtehude play. Bach’s cello suites formed the rhythmic thread during his walks: “As I heard the music sounded in my mind or played live, I collected reflections, ideas and insights that will guide the live performance.”
Read More »Weg van Bach
Together with my collegue Johan Van Looveren at the Media & Information Design department of LUCA School of Arts, we visualised data collected by a team of European astronomers led by Prof Leen Decin of KU Leuven’s Institute of Astronomy.
Read More »WASP-107b
Imagine the contemporary classical composition ‘Why Patterns?’ by Morton Feldman as a self-contained world, subject to specific laws and recurring patterns like other planets. It would have its own unique atmosphere, rotating on its axis and orbiting a star.
Read More »Why Patterns?
With the recent discoveries of exoplanets as a central theme, Benjamin Glorieux created a new piece with the string orchestra Bryggen, Vincent Caers (electronics) and Klaas Verpoest (live video).
Read More »Exoplanets or the quest for life around another SunString theory in its many incarnations provides a theoretical framework to answer some of the deepest questions, often with surprising results. At the same time, it raises some disturbing new questions, making painfully clear how little we understand of our Universe.
Read More »The End of Space and Time
Mister Linh flees his war-ravaged country in search of a better future for his granddaughter. Mister Linh doesn’t feel at home in the foreign land where he finds himself, until one day he meets mister Bark.
Read More »Het kleine meisje van Meneer Linh‘WORP’ is an cross-media improvising collective, combining musicians, visual artists and dancers. Through each performance, they explore the borders of the different media involved.
Read More »WORP_ cross-media improvising collective
Signale zur Invasion (1992) is performed simultaneously with Octophonie (1991), both pieces are part of Dienstag from Stockhausen’s monumental Opera Cycle Licht. The trombonist plays and walks a parcours amongst the audience whilst the video-artist divides it into equal protanganists.
Read More »Octophonie & Signale zur Invasion | Karlheinz StockhausenDebussy has created a new kind of musical drama with Pelléas. The text, by the Belgian Nobel prize winner Maurice Maeterlinck, is incorporated word for word. The play is a high point in symbolism and explores psychology, humankind’s deepest nature and feelings. Read More »Impressions de Pelléas | Claude Debussy